The movie's first hour watches him attain all this during He does all this with captivating ingenuousness and not a single false move.Įddie's room in his parents' unhappy home is covered with posters: bathing beauties, sports cars, martial arts, all the elements of his particular American dream. To arrogant cokehead, behave as if he thinks Dirk Diggler (Eddie's nom de porn) is a really grand name. Wahlberg must do many things here: attract all the film's other characters, rise credibly from naive kid The movie's special gift happens to be Mark Wahlberg, who gives a terrifically appealing performance in this tricky role. New star, thanks to his exceptional anatomy, about which he says, "Everyone's blessed with one special thing." In the disco on that first night, Jack's eyes alight on a busboy named Eddie, whom he pronounces "a 17-year-old piece of gold." Eddie, who has already learned to peddle himself to $10 customers, will soon become Jack's Like Jerry Lewis in "The King of Comedy," he gives the role an extra edge by playing a swaggering, self-important figure very close to the bone.
Most suavely funny performance in many years. ("Before you turn around you've spent maybe 20, 25, 30 thousand dollars on a movie!") Burt Reynolds rises to this occasion by giving his best and The godfather of this motley group is Jack Horner, porn auteur.
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The great Copacabana shot from "Goodfellas," has no qualms about borrowing from the best.Īs the camera roams with incredible agility through a disco in the San Fernando Valley (in a long, bravura shot that Anderson apparently rehearsed and filmed in a single night), the movie introduces all of its major characters with thrillingĮase. The film's unofficial family group is immersed in exploitation movies, which becomes the same collective eccentricity that country music was for "Nashville." Anderson, who begins his film spectacularly with a version of "Boogie Nights" further ratchets up the raunchiness by taking porn movies and drug problems entirely for granted, and by fondly embracing a collection of characters who do the Confidential" and now this one - have invoked a sleaze-soaked Southern California as an evillyĪlluring nexus of decadence and pop culture. Some of the most distinctive American films of recent years - "Pulp Fiction," "The People vs. Theĭirector, Paul Thomas Anderson, whose display of talent is as big and exuberant as skywriting, seems to mean this as a way of telling viewers to brace themselves. Verything about "Boogie Nights" is interestingly unexpected, even the few seconds of darkness before the film's neon title blasts onto the screen. Macy, Heather Graham, John C.An Actor Whose Talents Are the Sum of His Parts Michael Penn, Mark Wahlberg, Burt Reynolds, Julianne Moore, Don Cheadle, William H. Nonstop disco and early 80s music, often with a message, and energetic camera work make you shake your booty. Details such as wardrobe, bits of dialogue, and music are deftly used, avoiding parody. Wahlberg proves himself a serious and seriously good actor in his turn, surrounded by equally fine performances of the ensemble cast.
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What Tarantino did for Travolta, Anderson does here for Reynolds, who plays the past-his-prime but touchingly ambitious auteur with a dream to make a legitimately legendary skin flick. Brilliantly spanning the decadent disco-era 70s and the excess of the 80s, 27-year-old writer/director Anderson boldly delves into fresh, albeit dangerous, territory most successfully in this lengthy sophomore outing. The protege of director Jack Horner (Reynolds), 17-year-old Eddie jumps in a hot tub at an industry bash, christens himself Dirk Diggler, and goes on to become the toast of the adult entertainment industry. Epic tale covering the rise and fall of porn star Eddie Adams (Wahlberg).
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